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Femme fatale in film noir essay

Of the three types of noir women, the femme fatale represents the most direct attack on traditional womanhood and the nuclear family. She refuses to play the role of devoted wife and loving mother that mainstream society prescribes for women.

Femme Fatale in Film Noir. The term film noir was coined by French critics for 1940s50s American films that shared a dark sensibility and a dark lighting style, such as Double Indemnity (1944), Out of the Past (1947), and The Postman Always Rings Twice (1946).

The females in film noir were one of two types dutiful, reliable, trustworthy and loving women; or femme fatales mysterious, duplicitous, doublecrossing, stunning, unloving, predatory, unreliable, irresponsible, manipulative and desperate women.

Film Noir: The Maltese falcon Essay 966 Words 4 Pages. Film Noir was extremely trendy during the 1940s. People were captivated by the way it expresses a mood of disillusionment and indistinctness between good and evil. Film Noir have key elements; crime, mystery, an antihero, femme fatale, and chiaroscuro lighting and camera angles. The femme fatale is a necessary component of miseenscene in the film noir genre.

Femme Fatale The femme fatale was first seen in preWWII. During the time of the time of the war, melodrama, a genre that did not include the femme fatale, became the popular genre of film. According to Primary Characteristics and conventions of film noir: Theme and styles, The Famme Fatale in film noir are either of two types dutiful, reliable, trustworthy, and loving women; or Famme Fatale mysterious, duplicitous, double crossing, gorgeous, un loving, manipulative, and desperate women.

The Femme Fatale in Film Noir Essay The Femme Fatale in Film Noir The pages of Film Noir are plagued with the corruption of political power and sexual depravity. This infestation has inspired a generation of screenwriters to forge the notoriously daring characters and settings of this dark genre. The Key Conventions Of Film Noir In L. A Confidential L. A Confidential (Curtis Hanson, 1997) is a neonoir film about a shooting at an all night diner and the three Las Angeles policeman who investigate in their own unique ways.

The femme fatale in classic film noir was a representation of the bewilderment of women in society at that time in history and was a threat to the status quo.